5/3/2023 0 Comments Le festin![]() Triplet sixteenth octaves in both hands provide momentum while the harmony modulates through E melodic minor and F melodic minor. Quietly, it resolves the tension built in the first variations.Ī march in octaves. While the first four bars are enriched by thirds and sixths, the last four are supported only by fourths and fifths. The staccato 'growling' in the bass continues however. ![]() The melody is simplified to two-in-a-bar chords marked dolce e legato. Pauses in the melody are greeted by staccato 'growling' in the deep bass. The harmonisation is unusual – every chord in the melody is 'held back' by a B ♭ and C, while the bass (playing in the treble) jumps about almost arbitrarily, increasing the harmonic tension. Thirty-second sextuplet flourishes marked forte make this variation one of the first technical challenges.Īnother staccato variation, requiring light touch, and quick but discrete jumps. This results in a 'humorous' hopping effect. ![]() ![]() The treble meanwhile plays an unusually notated figure – thirty-second sextuplet octave jumps where the first note is marked sforzando, while the rest of the notes are tied and marked tenuto. ![]() The bass continues to take on the melody, this time in sixths, marked staccato. ![]()
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